Sculpture And Site-specific installations. 

The search for subtlety in sculpture has led me to make drawings in space using steel rods, wires, threads and cables, materials that allow me different approaches to think about volume, space and the specific site. These drawings in space, revisiting traditional drawing concepts such as the modulated line, generate shadows and projections that become part of the work, adding new dimensions in the perception of the work. Part of my work during my life in London finds its references in metro maps and underground networks, inspired by a deep drive towards underground landscapes, the rhythms of the city and also what happens on a social level in that context beyond spaces and architecture. The 3D Map Series, a labyrinthine geometric composition, arises from the relationship we establish with maps as a means to enter a new culture, new social and economic structures, evoking a hidden lattice matrix that unites our space. Rooting is a concept derived from those maps and is linked to the idea of migration: uprooting –from our birthplaces- and rooting towards a new place.

Since moving to Valencia, my artistic practice began to increasingly focus on Land Art, driven by the direct connection with the landscape and the opportunity to work in close contact with natural elements. This experience in the rural environment led me to look up, to explore the sky and its mysteries. The absence of light pollution in these areas allowed me to contemplate a clear and deep firmament, which awakened in me a new sensitivity and the desire to incorporate organic materials into my work. It was in this context that I began to experiment with canes, branches, and stones—local, flexible, and living materials that allowed me to trace forms inspired by the cosmos in space.

The constellations represent not only our search for meaning and understanding of what lies beyond Earth, but also the human need to make connections, to orient ourselves in space and in life. Working with these concepts from the material and symbolic perspective has allowed me to expand my sculptural practice toward a more contemplative dimension, connected to the natural environment.