Sculpture And Site-specific installations. 

The search for subtlety in sculpture has led me to develop drawings in space using steel rods, wires, threads, and cables—materials that allow multiple approaches to thinking about volume, space, and site-specificity. These spatial drawings, which revisit traditional concepts of drawing such as the modulated line, generate shadows and projections that become an integral part of the work, adding new perceptual dimensions.

During my time living in London, my practice found strong references in metro maps and underground networks. These systems, both physical and symbolic, became a way to think about movement, orientation, and the social dynamics that unfold beneath the surface of the city. The 3D Map Series, a labyrinthine geometric composition, emerged from our relationship with maps as tools for entering new cultures and navigating unfamiliar social and economic structures. These works evoke a hidden lattice or connective matrix that links spaces, bodies, and experiences. From this research arose the concept of rooting, closely connected to migration: the act of uprooting from one's place of origin and re-rooting in a new territory.

Across both urban and natural contexts, the notion of networks has remained a central thread in my practice. Through lines drawn in space, underground infrastructures, or organic structures formed with branches and threads, my work explores how visible and invisible connections shape our experience of place and belonging. These networks function as systems of exchange and interdependence, revealing relational, emotional, and spatial geographies that extend beyond architecture and landscape.

Since moving to Valencia, my artistic practice has increasingly shifted toward Land Art, driven by a direct connection with the landscape and the opportunity to work closely with natural elements. Living in a rural environment encouraged me to look upward, toward the sky and its mysteries. The absence of light pollution allowed me to contemplate a clear and profound firmament, awakening a new sensitivity and a desire to incorporate organic materials into my work. It was in this context that I began experimenting with canes, branches, and stones—local, flexible, and living materials that enable me to trace forms in space inspired by natural and cosmic structures.

Constellations represent not only humanity's search for meaning beyond Earth, but also our fundamental need to connect, to orient ourselves, and to establish relationships within space and time. Approaching these concepts from both material and symbolic perspectives has allowed my sculptural practice to expand toward a more contemplative dimension—one that understands landscape, body, and cosmos as part of the same interconnected network.